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ChromeBanana STUDIO

Everything between the mixdown and the release date.

Chrome Banana Studio is the workspace for the unglamorous half of putting a record out — the metadata, the captions, the clips and the statements. One project, one place, no tab shuffle — in the browser, on whatever machine you signed in from. It is our first software product, and the first thing we built for ourselves.

One email when it opens. Nothing before that.

Chrome Banana Studio

What it is

A record does not stop being work when the master is finished. Studio is the part after that — built by a label, for the way a release actually gets shipped.

One project, one place

Artists, albums, tracks, lyrics, audio and statements share one project. The caption tool already knows the track. The clip editor already knows the lyrics.

Nothing to install

Studio runs in the browser and your project lives in your account, so it is the same workspace from the studio desktop or a laptop on the road. Uploads, alignment and renders all happen on our infrastructure — no install, no database to run, nothing to keep in sync.

A helper, not a bot

Studio prepares and checks. You review and submit. It does not log into your distributor, does not click past warnings, and stops before anything final.

What it does

Four jobs that normally live in four different apps.

Release prep

Build a release once and check it before it goes anywhere — titles, credits, ISRCs, artwork and store dates, validated while you type.

  • Reusable artist profiles, so genre, credits and flags are typed once
  • Drop in a folder of masters and the tracklist imports in filename order
  • Warnings for missing songwriters, unset AI details and empty version names
  • A copy button on every field, for entering it by hand at the distributor

Lyrics to captions

Turn saved lyrics into timed captions, then fix only the lines that are wrong. Auto-sync runs on our machines, so a whole album aligns while you get on with something else.

  • One caption row per lyric line, generated straight from the saved lyrics
  • Tap the line starts live, or run forced alignment with WhisperX
  • Optional vocal isolation first, for anything buried in a busy mix
  • Low-confidence rows flagged for review; rows you lock stay locked
  • Download a track SRT, a combined album SRT, or a DaVinci-ready ZIP

Shorts Studio

Cut a week of vertical clips out of one long-form video, without opening a video editor.

  • Paste your YouTube timestamps and the tracklist splits itself
  • Six templates, with live crop and zoom against a 9:16 preview
  • Plain captions or word-level karaoke highlighting, burned in with FFmpeg
  • Animated scenes — phone screen, billboard — with lyrics scrolling in time
  • A render queue that keeps going after you close the tab — finished clips download as MP4, captions alongside

Royalty tracker

Drop the statements in and get one view out — what each release actually earned, per store, without a spreadsheet.

  • Import all-time or monthly distributor exports, CSV or TSV
  • Duplicate rows are detected and skipped when you re-import a report
  • Earnings over time, and by store, country, album and track
  • Import history, so you can see exactly which file a number came from

Song Builder

Sketch structure, hooks and lyrics alongside an assistant that already knows the rest of your catalogue. Briefs, hook options, full lyrics, a persona check and a repetition pass — accepted ideas land straight in the project, so nothing is stranded in a chat window.

Profiles and defaults

Set credits, genre, pricing and flags once per artist; release defaults cascade into new tracks. Changing a default never silently rewrites tracks you have already edited — you apply it deliberately, to the tracks you choose.

Browser helper

A companion browser extension that fills the distributor's release form from your saved release data, cover art included. It shows you what it found, and it stops before submission every time.

Exports that leave

Download CSV, JSON, a printable checklist, finished MP4s, SRT sidecars and a DaVinci-ready ZIP. Everything Studio holds comes back out in a format something else can read, whenever you want it.

What Studio does

  • Keeps your projects, masters and renders in your own private account
  • Touches only the files you upload to it, and nothing else
  • Never sells, shares or trains a model on your audio, lyrics or artwork
  • Fills forms that you read, correct and submit yourself

What Studio will never do

  • Log into your distributor, or hold your credentials
  • Submit a release, or click past a review screen or warning
  • Touch a payment or confirmation step
  • Scrape your account, or run unattended in the background

Pricing

Studio is not finished, so there is no price yet. Putting a number on it now would only mean changing it later. Here is the current thinking instead — all of it subject to change, none of it a commitment.

Free

TBC likely, and genuinely free

Artist profiles, release prep, validation and exports, capped at a small number of releases. The intent is that you can take one record from a folder of masters to a finished distributor submission without paying anything — a working tier, not a countdown.

Early access

First look at the number

Everyone on the notify list gets the price and the tier split before launch day, with room to say if it is wrong. We intend to hold early users at whatever the launch rate turns out to be. That is an intention, not yet a contract, and we would rather say so than pretend otherwise.

Nothing above is fixed. What is decided is where the line sits: the parts that cost us almost nothing to run — release prep, validation and exports — should stay free and stay useful, and the paid tier covers the parts that burn real compute, which is alignment, renders and models. What is not decided is the number, exactly where that line falls, and whether it is a subscription at all. Join the list and you will hear the answer before it is announced anywhere else.

ChromeBanana SOUNDS

The music side of the house.

Chrome Banana Sounds is our own label and channel — original releases, written, mixed and put out in-house. It is not a service we sell.

It is also the reason Studio solves the right problems. Every rough edge in the app is one we hit ourselves, on a real release, with a deadline. The software exists because the label needed it first.

Listen and follow